
When I first played this CD through, I did not like it near as much as Vol 1 Il Canto di Malavita. The song selection seemed weaker and the singers less polished than on the first compilation. So often does a follow-up to a surprise hit fail to live up to the listener's expectations, that I nearly resigned myself to putting this on the shelf and letting it collect dust.
Instead, I took a different tack and decided to listen with new ears as though I'd never heard the first volume. Once I'd done that, I found a lot about Omerta, Onuri e Sangu to enjoy.
To begin with, the music here is earthy and raw. It reminds me a lot of the folk music of many lands. I can hear strains of Greek, Spanish, Arab, and even Argentine musical influences as it plays through. My favorites are Ninna Nanna Malandrineddu, a mother's song urging her son to vengeance; Tira La Pinna, the mournful gypsy-influenced song of a condemned man; A Casanza, a rollicking guitar-driven tarantella that relates the story of a prison power struggle; La Me Galera, the story of a wrongfully imprisoned man that has an Argentine feel to the music; and Si Gira e Si Revolta, the melancholy story of a man rotting in his cell and yearning for freedom.
About the only negative here is that there are too many short pieces and "parlati" which clutter up the CD and give one the impression it is longer than it is.
If you liked Il Canto di Malavita, then come to this with an open mind and give it a chance, too. If you have heard neither "Il Canto..." nor this CD, then buy them both and try to listen without comparing them. You will be glad you did.
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Vol. 2 Omerta, Onuri E SanguProduct Description: Volume 2 is a continuation of a musical journey through achapter of Southern Italian cultural history that is asdark as it is fascinating. 22 tracks. PIAS America. 2003.
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